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潘魯生在致辭中指出,美術學學科成為一級學科之后,大家一直關心美術學發展路徑問題。鄧福星先生是最早倡導美術學學科的倡導者之一,他對美術學和美術史論的研究有很大的學術貢獻,今年6月,山東工藝美術學院特聘鄧

來源:佚名    時間:2015-10-13 12:18:39    瀏覽次數:2324次

我們為何而設計?追逐商業利益?承擔社會責任?實現用戶需求?還是滿足自我意淫?亦或是達成某種欲望的工具?

一臺工業革命之初的電扇,一把清代的門鎖,一臺20世紀60年代的 收音機……楊明潔將他十多年間的上千件收藏品陳列的他的私人博物館中,通過時間軸的對比研 究,揭示了中國兩百多年的工業設計斷代史及其影響與后果。

曾經有一位法國的記者問楊明潔:“什么是中國的設計?比如說,日本的設計是極簡?”在當下的中國,強調什么是中國的設計?究竟是民族 的自卑感還是自尊心在設計中的體現?楊明潔展示了歷年來所囊獲的包括德國紅點獎,iF獎,日本G-MARK獎以及美國IDEA獎在內的的部分作品,比較 Dieter Zimmer 的設計標準與 Dieter Rams 的設計十誡,來闡述什么是優良產品的設計標準。

設計不是無聊的自我表達,而是應該創造完美用戶體驗。訂書釘的四 種訂法與洗手間的蒼蠅——楊明潔從細節入手,探討了用戶研究與服務設計。

CMF創新實驗室,亞文化生活形態,2015~2016年度設計趨勢報告,讓我們共同思考未來的設計趨勢。

《楊明潔設計發現之旅》一書以“過去 - 當下 - 未來”為線索貫穿, 展示了工業設計師楊明潔的設計哲學與邏輯思考,并從歷史、人文、 社會、生活等因素來講述設計背后的有趣故事。

gives a clue which is future depends on the past only through the present, and illustrates Jamy YangMingjie, a famous Chinese industrial designer’s design philosophy and logical aesthetic thinking. It goes through factors of history, human culture, society and living life to tell interesting stories related to design. Based on time segments and comparative study on his abundant collections, such as an old fan from the beginning of industrial revolution, a lock from QING Dynasty, a radio from 1960s… Jamy has discovered a gap of industrial history in China over one hundred year, and raised a couple of questions – What contemporary Chinese design emphasizes is to show national inferiority complex or national pride? Jamy presents part of award-winning projects including Red Dot, iF, G-Mark, IDEA to illustrate standards for judging a good design. Design is not a boring way of expressing designer self but making sure to create perfect user experiences. Interesting findings like four binding ways of staple and fly-design in wash room… Jamy tries to explore details for discussion on user study and service design. Further focus on vision of design, Jamy leverages diversified elements to inspire public and think about design trend and industry future by CMF innovation lab demonstration, sub-culture lifestyle workshop and 2015~2016 design trends presentation

第一章 產品設計“考古學” – 中國設計斷代史

……可能是職業習慣,對我而言當地大大小小的古董市場就像是一個個的博物館。我可以 從這里所陳列的舊產品中解讀到這些產品以及產品的使用者很多有意思的信息:不同 地區的人文審美、不同族群的生活方式、不同年代的制造工藝等……

……Probably out of my occupation habits, local Antique market is just like museum to me. There is plenty of interesting information delivered by products or users behind from the display in Antique markets. I can always get to culture and aesthetic in different areas, life styles for different ethnic groups and manufacturing processes in different eras……

……可以說18世紀中葉~20世紀中葉的兩百多年就成為了中國工業設計發展史的一個斷 層。一個國家的產品設計水準很大程度上是基于這個國家的產業基礎發達程度。之所 以美國會出現全球最棒的信息產品,如蘋果電腦,是因為美國的信息產業全球領先。 之所以意大利的家具和時尚產品暢銷全球,是因為意大利脫胎于手工藝的產業基礎……

……In a word, the past two hundred years can be regarded as the disappearing times of Chinese industrial design developing history.The level of product design in one country mainly bases on the development of national industry basis. The U.S.A. has best information technology products, such as Apple, because the information industry in the U.S.A. is leading in the world. The furnitures and fashion products from Italy sell well all over the world because Italy has the industry basis born out of handicraft art……

…….紅點、iF、IDEA、G-mark從設立到在全球產生影響力,這表明設立這些獎項的國家, 其產業基礎已經有實力為全球的工業設計制定標準,并進一步銷售這種設計標準。也 就是說他們不但向全球銷售他們的產品,還銷售他們的產品設計標準。所以這是一整 個產業鏈的問題,而設計標準與獎項只是其中一個環節。如果整個產業鏈是不成熟、 不平衡的,那么其中某個環節也很難健康發展……

……The global influences of Red Dot Award, iF, IDEA and G-mark show the industry basis of the countries building up these awards have the ability to set up standards for industrial design and sell them afterwards. In other words, they are not only selling the products but also the product design standards to the whole world. It is a whole industry chain, in which design standards and awards are just part of it. If the whole industry chain is not mature and balanced itself, it is difficult to develop a certain part in a healthy way……

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